Artwork description 1:
A close up photo of the top of a mixed media art piece on canvas.
A canvas with primarily green tones and with ribbons, rope netting, and dried grasses are visible. The canvas is spray painted green with paint gaps from stencilled rope netting patterns. To the bottom centre of the image is layers of ribbon in soft pink and yellow covered by green and blue dyed rope netting. The rope netting has 3 fluffy pampas grass tips placed through it. One is soft pink, one is half pink, half natural brown, and another is softer brown. Dyed blue pine needles and partly pink dyed grass stems with seeds are also woven into the netting. A pink to yellow lacy ribbon is draped from above the top left of the canvas to the right corner of the image.
To the left of the canvas is long dangling mixes of ribbons, mostly fluffy green, with some lacy ribbons in white, pink, yellow, and brown to green netting.
The top right area behind the canvas is a black background.
When I read the interview transcript with Emma, I felt a sense of commonality. I had similar experiences being a new administrator and being a disabled artist at the same time. I tried to showcase my art through collectives and I was turned down by the abled body community. So I became the founder and curator of Meltshot Brownie Art and Performance collective featuring local BIPOC artists. Representation Matters!
I spoke with Emma and asked about her journey with Kickstart and if she had any issues working in a politicized and artistic environment. Emma responded that her journey was a positive exchange within her community and Kickstart.
As an intuitive abstract artist, I went with what I read from the interviews, content and speaking with Emma. I didn’t draw a concept or plan what I was going to make. I just knew Emma is a powerful, risk-taking, cool, creative, funny and generous human.
My friend Oliver Hue gifted me a small bird cage and it reminded me of Marx Weber’s sociological theory of the Iron Cage. The iron cage is a concept that describes the increased rationalization inherent in social life, especially in Western capitalist societies. The “iron cage” traps individuals based on how useful they are in society.
It triggered my feelings and thoughts about how trapped we feel in our own bodies, colonial systems we must obey to meet our needs, and discarded by society because we are disabled. I envisioned Emma rattling the cage, being caged in and busting out of the cage of bureaucracy. That’s when I thought using magic fire paper inside the bird cage would be a symbolic way of illustrating Emma’s existence bursting out like a phoenix.
Community care and love sustained positive wellness for Emma and the reciprocation is unconditional. I foraged local healing flowers; pine needles painted Cerulean blue, imperial yellow Chrysanthemums passed on from my mother, pampas (bunny’s tail) and green Amaranth.
I like using pampas (also known as bunny’s tail) in my art work because pampas can’t be destroyed. It grows everywhere like an unwanted weed, yet people overlook it. Pampas is resilient and grows in any given weather condition. These seedlings came before me and passed on to the future generations. This is a representation of Emma’s work that came before and will be passed on through her storytelling. She has supported so many artists by telling us stories and how to navigate any barriers we confront. So I created a narrative with an installation and canvas using spray paint, acrylic paint, dyes, ribbons, modge podge, six feet of bulk gold chandelier chain and a hook. I had some help hanging my installation from my eleven-foot ceiling. My abled body friend CWS was able to help drill and hang the installation.
Some of the flowers are on the installation and some on the canvas. The canvas I painted is Kickstart and I feel the two are symbiotic. The heart of Kickstart is on the canvas with the netting and a minimalistic floral arrangement. Everything we see in the day appears normal, but when the lights are off the canvas and installation really illuminates the invisible becoming the visible.
Connection
The connection between art and the disabled community is a healing pairing. I used ribbons with different textures and dip-dyed colors of mint green, soft pink, brown netting, satin grey and beige to create an ombre effect. These ribbons are tied in different parts of the iron cage meaning each ribbon is a person Emma has collaborated with and helped transform their different stages of their artistic process. Also, art shifts through time and nothing is static.
It is important to have the installation always touching the canvas. The transformative ribbons are people and experiences linked to Kickstart and influenced by Emma. Connection is important as it could be a lonely residency and process. I am fragmented from my own artist community as I live on an island.
The art project was named by Emma as I wanted to include her and make this project more interactive. I wanted a spirit name for this joyful story about Existing!